Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 74
John Hospers. 4 Meaning WHEN WE STATE THE meaning of a word or phrase , we are stating what the word refers to , what it has come by convention to stand for . This is doubtless the main sense in which the word " meaning " is used . There ...
John Hospers. 4 Meaning WHEN WE STATE THE meaning of a word or phrase , we are stating what the word refers to , what it has come by convention to stand for . This is doubtless the main sense in which the word " meaning " is used . There ...
Pagina 76
... meaning until it is given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the ...
... meaning until it is given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the ...
Pagina 132
... meaning while in the process of acquiring these poeti- cally more important things . It is only when we disentangle the logical from the other senses of meaning that we can say to what degree the meaning of a given poem changes when it ...
... meaning while in the process of acquiring these poeti- cally more important things . It is only when we disentangle the logical from the other senses of meaning that we can say to what degree the meaning of a given poem changes when it ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words