Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 51
... medium of words , Tom Jones and a whole series of his adventures can truly be said . to be represented in Fielding's novel.28 A curious and interesting difference between literature and painting may be observed in this connection ...
... medium of words , Tom Jones and a whole series of his adventures can truly be said . to be represented in Fielding's novel.28 A curious and interesting difference between literature and painting may be observed in this connection ...
Pagina 181
... medium . In this connection we may touch upon a point which has been mentioned once before : Language descriptively used is not as ade- quate to give insight into the object of the poet's vision as language evocatively used . To ...
... medium . In this connection we may touch upon a point which has been mentioned once before : Language descriptively used is not as ade- quate to give insight into the object of the poet's vision as language evocatively used . To ...
Pagina 214
... medium ( it would be most difficult with literature , as we saw in Chapter IV ) , which exist entirely or almost entirely free of them . 2 One special application of the general thesis of this chapter is of special interest to ...
... medium ( it would be most difficult with literature , as we saw in Chapter IV ) , which exist entirely or almost entirely free of them . 2 One special application of the general thesis of this chapter is of special interest to ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words