Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 12
... mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than it ... merely as an arrangment of pleasing colors , shapes , and volumes , but as expressive of many things in life ...
... mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than it ... merely as an arrangment of pleasing colors , shapes , and volumes , but as expressive of many things in life ...
Pagina 84
... mere flow of sound . · • 17 They will be apt to find their own meanings in the music , which merely shows that the sound has a stimulating or a soothing effect on their nerves , and acts as a congenial background for their subjective ...
... mere flow of sound . · • 17 They will be apt to find their own meanings in the music , which merely shows that the sound has a stimulating or a soothing effect on their nerves , and acts as a congenial background for their subjective ...
Pagina 113
... merely to illustrate a scene from life or to arouse the same old life - emotion over again . This is not ... mere " dramatic , " mere " psychological " in- terest , to mere formal interest . It is only , if the experience be an esthetic ...
... merely to illustrate a scene from life or to arouse the same old life - emotion over again . This is not ... mere " dramatic , " mere " psychological " in- terest , to mere formal interest . It is only , if the experience be an esthetic ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words