Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 151
... never lived up to their credos ( in this they were analogous to Zola in literature ) ; they always introduced some design , some balance , some unity , and I daresay they never copied any particular scene in nature in the way that a ...
... never lived up to their credos ( in this they were analogous to Zola in literature ) ; they always introduced some design , some balance , some unity , and I daresay they never copied any particular scene in nature in the way that a ...
Pagina 167
... never have ex- isted at all ; they can be more " true - to human nature , " in most cases , if they have not ; and even if they have , many of the events which occurred in their lives ( for example , the life of Alcibiades ) would be ...
... never have ex- isted at all ; they can be more " true - to human nature , " in most cases , if they have not ; and even if they have , many of the events which occurred in their lives ( for example , the life of Alcibiades ) would be ...
Pagina 195
... never before felt , except perhaps in embryo . Music , as we saw in Part I , evokes experiences which we could never have in any other way ; but here we seem to have experiences of quite a different kind . Beethoven's late music ...
... never before felt , except perhaps in embryo . Music , as we saw in Part I , evokes experiences which we could never have in any other way ; but here we seem to have experiences of quite a different kind . Beethoven's late music ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words