Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 22
... novel are is not important ; what the artist does with them is what is important . Yet they are of some importance since we do criticize a novel or drama by saying that it has a weak plot ; and this is criticism not of anything outside ...
... novel are is not important ; what the artist does with them is what is important . Yet they are of some importance since we do criticize a novel or drama by saying that it has a weak plot ; and this is criticism not of anything outside ...
Pagina 145
... novel , which is more generally accepted as an art form . The notion that the novel should " tell the truth , " should " report the facts " -the ideal of verisimilitude — is the chief tenet of the realist school in literature , and has ...
... novel , which is more generally accepted as an art form . The notion that the novel should " tell the truth , " should " report the facts " -the ideal of verisimilitude — is the chief tenet of the realist school in literature , and has ...
Pagina 206
... novel or drama than we do from most books on psychology or observation of people around us . Literature can do this by presenting characters in various situations and showing their inner motives ( either directly , in a novel , or ...
... novel or drama than we do from most books on psychology or observation of people around us . Literature can do this by presenting characters in various situations and showing their inner motives ( either directly , in a novel , or ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words