Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 27
... objects ( whatever else , in other sense - modalities , may be evoked by the sight of those objects ) , and visual objects are colored and extended ; and the primary materials of painting are colored and extended shapes as they appear ...
... objects ( whatever else , in other sense - modalities , may be evoked by the sight of those objects ) , and visual objects are colored and extended ; and the primary materials of painting are colored and extended shapes as they appear ...
Pagina 187
... objects of which painting can reveal to us " essences . " Painting gives us these visual insights into objects of vision which are so general and all - pervasive that we would hardly be likely to think of them in this connection at all ...
... objects of which painting can reveal to us " essences . " Painting gives us these visual insights into objects of vision which are so general and all - pervasive that we would hardly be likely to think of them in this connection at all ...
Pagina 197
... objects ; all that is given is a number of presentations in temporal succession , but we see not merely temporal succession but causal connection . In all these things we are going " beyond ” the given data of sense , and yet they are a ...
... objects ; all that is given is a number of presentations in temporal succession , but we see not merely temporal succession but causal connection . In all these things we are going " beyond ” the given data of sense , and yet they are a ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words