Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 148
... observations themselves , colors the account . ( 4 ) The very fact that it is necessary to select some materials and reject others presupposes some basis for preference on the author's part . Even if he could record with complete ...
... observations themselves , colors the account . ( 4 ) The very fact that it is necessary to select some materials and reject others presupposes some basis for preference on the author's part . Even if he could record with complete ...
Pagina 184
... observations with observations of our own .... Thus , by studying a number of Cézanne's landscapes , or even a single landscape of his , we can become aware of his particular in- terest in color , in " edges , " and in the three ...
... observations with observations of our own .... Thus , by studying a number of Cézanne's landscapes , or even a single landscape of his , we can become aware of his particular in- terest in color , in " edges , " and in the three ...
Pagina 206
... observation of people around us . Literature can do this by presenting characters in various situations and showing ... observations , though not true in the sense of describing the ways these characters did behave ( most of them never ...
... observation of people around us . Literature can do this by presenting characters in various situations and showing ... observations , though not true in the sense of describing the ways these characters did behave ( most of them never ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words