Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
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Pagina 116
... painter of the sixth century , as calling it " rhythmic vitality . ' 70 And according to Laurence Binyon , “ Mr ... painters who are currently con- sidered the greatest , since it is itself the chief criterion by which these painters are ...
... painter of the sixth century , as calling it " rhythmic vitality . ' 70 And according to Laurence Binyon , “ Mr ... painters who are currently con- sidered the greatest , since it is itself the chief criterion by which these painters are ...
Pagina 122
... painter , as often as not , requires no acquaintance with any department of knowledge - Cézanne is an excellent case in point . But the painter's visions are , unlike the composer's , based upon an observation of the world , of the ...
... painter , as often as not , requires no acquaintance with any department of knowledge - Cézanne is an excellent case in point . But the painter's visions are , unlike the composer's , based upon an observation of the world , of the ...
Pagina 150
... painter duplicates the work of the camera . " Un peintre ne doit peindre que ce que ses yeux peuvent voir . " 15 Certainly the development of photography might be said to relieve the painter of any such feeling of obligation . But let ...
... painter duplicates the work of the camera . " Un peintre ne doit peindre que ce que ses yeux peuvent voir . " 15 Certainly the development of photography might be said to relieve the painter of any such feeling of obligation . But let ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words