Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 179
... perception I have of reality all the differences useless to man have been suppressed . My perception runs in certain moulds . Things have been classified with a view to the use I can make of them . It is this classification I perceive ...
... perception I have of reality all the differences useless to man have been suppressed . My perception runs in certain moulds . Things have been classified with a view to the use I can make of them . It is this classification I perceive ...
Pagina 204
... perception of it in another painter does not eradicate the first one from our percep- tions , but merely conditions ... perception ( or perception for the first time ) . It contributes to Erlebnis , not to Erkenntnis . The difference ...
... perception of it in another painter does not eradicate the first one from our percep- tions , but merely conditions ... perception ( or perception for the first time ) . It contributes to Erlebnis , not to Erkenntnis . The difference ...
Pagina 230
... perceptions , which perceptions may b of factors in reality .... 16 Poss Papproach perceptions Beethoven does not communicate to us his perceptions or his experi- ences . He communicates to us the attitude based on them . We may share ...
... perceptions , which perceptions may b of factors in reality .... 16 Poss Papproach perceptions Beethoven does not communicate to us his perceptions or his experi- ences . He communicates to us the attitude based on them . We may share ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words