Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
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Pagina 167
... person who is so extremely in- dividual and eccentric that he has nothing in common with other human beings and hence is not " of our ken " ( such as the inmates of certain asylums ) . The person portrayed must be a full - bodied ...
... person who is so extremely in- dividual and eccentric that he has nothing in common with other human beings and hence is not " of our ken " ( such as the inmates of certain asylums ) . The person portrayed must be a full - bodied ...
Pagina 180
... person by such a pungent sentence as that which Robert Frost quotes from a boy's conversation : ' He is the kind of person who wounds with his shield . ' The child will probably forget these names and grow up to use the hackneyed tags ...
... person by such a pungent sentence as that which Robert Frost quotes from a boy's conversation : ' He is the kind of person who wounds with his shield . ' The child will probably forget these names and grow up to use the hackneyed tags ...
Pagina 185
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words