Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 16
... poem such as Hamlet to an exercise in style and versification and sound - values , rather than to a " pre - occupa- tion with man and his fate " ( Bradley's term ) , is indeed mistaking the means for the end , and that the critic who ...
... poem such as Hamlet to an exercise in style and versification and sound - values , rather than to a " pre - occupa- tion with man and his fate " ( Bradley's term ) , is indeed mistaking the means for the end , and that the critic who ...
Pagina 18
... poem , something the poet did to the original material in order to transform it into the poem . Ordinarily we do speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself ...
... poem , something the poet did to the original material in order to transform it into the poem . Ordinarily we do speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself ...
Pagina 132
... poem changes when it is translated ; to the extent that the referential meaning of a poem is predomi- nant , to that extent it can be translated - and to that extent , one might be tempted to add , the original was not a good poem . It ...
... poem changes when it is translated ; to the extent that the referential meaning of a poem is predomi- nant , to that extent it can be translated - and to that extent , one might be tempted to add , the original was not a good poem . It ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words