Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
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Pagina 180
... poet's vision is true - to experience , that the poet has intuited a viable essence which we too can grasp . I do not think that there is anything abtruse or metaphysical about this ; it is a common experience among readers of poetry ...
... poet's vision is true - to experience , that the poet has intuited a viable essence which we too can grasp . I do not think that there is anything abtruse or metaphysical about this ; it is a common experience among readers of poetry ...
Pagina 181
... poet's vision as language evocatively used . To describe the experiences of a sensitive poet would be a hopeless task ; but if the poet selects his words properly , and is sufficiently a master of the verbal medium , he may be able to ...
... poet's vision as language evocatively used . To describe the experiences of a sensitive poet would be a hopeless task ; but if the poet selects his words properly , and is sufficiently a master of the verbal medium , he may be able to ...
Pagina 216
... poet's philosophy , even that philosophy which appears in his work , qualify him to a position as a poet ? Is his vision of the world relevant to the merits of his poem ? Does it make him a better poet ? And again the answer is that if ...
... poet's philosophy , even that philosophy which appears in his work , qualify him to a position as a poet ? Is his vision of the world relevant to the merits of his poem ? Does it make him a better poet ? And again the answer is that if ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words