Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 131
... Poetic meaning is untranslatable simply because poetic meaning is not referential meaning ; if it were , it would be at least potentially - translatable . Any purely symbolic use of words can be reproduced if in the two vocabularies ...
... Poetic meaning is untranslatable simply because poetic meaning is not referential meaning ; if it were , it would be at least potentially - translatable . Any purely symbolic use of words can be reproduced if in the two vocabularies ...
Pagina 181
... poet . That is , the words act as an objective correlative of the poetic vision ; the latter cannot be transferred bodily from one mind to another , but the communication may be effected by means of this objective correlative , the ...
... poet . That is , the words act as an objective correlative of the poetic vision ; the latter cannot be transferred bodily from one mind to another , but the communication may be effected by means of this objective correlative , the ...
Pagina 218
... poetic virtues ; but when he goes on to praise Homer and Hardy for having certain views about Fate and Destiny , he is certainly praising them as philosophers , not as poets , and his criticism is no longer poetic criticism . Homer and ...
... poetic virtues ; but when he goes on to praise Homer and Hardy for having certain views about Fate and Destiny , he is certainly praising them as philosophers , not as poets , and his criticism is no longer poetic criticism . Homer and ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words