Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 129
... poetry can be effective.86 We must above all not fall into the error of assuming that all poetic meaning is ( or should be ) " emotive . " " Evocative " is often confused with “ emotive " ; and while what is evoked is all - impor- tant ...
... poetry can be effective.86 We must above all not fall into the error of assuming that all poetic meaning is ( or should be ) " emotive . " " Evocative " is often confused with “ emotive " ; and while what is evoked is all - impor- tant ...
Pagina 175
... poetry ( especially in lyric poetry ) that this truth - to experi- ence comes out in most striking relief . Poetry , according to Max Eastman , " suggests the qualities of experience , " and he makes this notion the cornerstone of his ...
... poetry ( especially in lyric poetry ) that this truth - to experi- ence comes out in most striking relief . Poetry , according to Max Eastman , " suggests the qualities of experience , " and he makes this notion the cornerstone of his ...
Pagina 216
... poetry that moves us . What moves us is the poetry ; and , though it is difficult to separate the poetry of a philosophical poet from the intellectual argument which gives it form , the fact that we can and do continually refuse the phi ...
... poetry that moves us . What moves us is the poetry ; and , though it is difficult to separate the poetry of a philosophical poet from the intellectual argument which gives it form , the fact that we can and do continually refuse the phi ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words