Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 159
... propositions are true or false , and that sentences state or express propositions . Now the question is , can anything other than sentences express propositions ? Are words the only possible symbols by which propositions can be mediated ...
... propositions are true or false , and that sentences state or express propositions . Now the question is , can anything other than sentences express propositions ? Are words the only possible symbols by which propositions can be mediated ...
Pagina 160
... propositions , what propositions do they express ? In propositions , something is always asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to be making assertions at all ...
... propositions , what propositions do they express ? In propositions , something is always asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to be making assertions at all ...
Pagina 218
... propositions about the nature of Fate or Des- tiny . The same remark may be made with regard to A. C. Bradley in his Shakesperean Tragedy ; most of the time his criticism of Shakespeare is poetic criticism , as it is intended to be ...
... propositions about the nature of Fate or Des- tiny . The same remark may be made with regard to A. C. Bradley in his Shakesperean Tragedy ; most of the time his criticism of Shakespeare is poetic criticism , as it is intended to be ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
2 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words