Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 29
... question , What does this work of art mean ? And we must discover whether our meaning of “ meaning ” in this question is the same as in the question about the meaning of a word . That is , is there any one thing or group of things that ...
... question , What does this work of art mean ? And we must discover whether our meaning of “ meaning ” in this question is the same as in the question about the meaning of a word . That is , is there any one thing or group of things that ...
Pagina 52
... question of what is in a work of art , for example , whether a human figure is in a painting or an emotion in music , leaving the more ultimate question ( which would require a lengthy discussion ) unanalyzed . no one could take that ...
... question of what is in a work of art , for example , whether a human figure is in a painting or an emotion in music , leaving the more ultimate question ( which would require a lengthy discussion ) unanalyzed . no one could take that ...
Pagina 75
... question . Until this is known , there is no possibility of answering it . And , generally speaking , I suspect that most persons who ask this question have no clear idea what they are asking for . Perhaps the cardinal sin in philosophy ...
... question . Until this is known , there is no possibility of answering it . And , generally speaking , I suspect that most persons who ask this question have no clear idea what they are asking for . Perhaps the cardinal sin in philosophy ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words