Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 34
... refer to ... " etc. But how could we give such a reply in the other cases ? What does middle C refer to ? What are the referents of the Beethoven C minor sonata ? Such questions , it seems to me , are as foolish as they sound . Musical ...
... refer to ... " etc. But how could we give such a reply in the other cases ? What does middle C refer to ? What are the referents of the Beethoven C minor sonata ? Such questions , it seems to me , are as foolish as they sound . Musical ...
Pagina 48
... refer to all kinds of evocation by music . Beethoven's music evokes definite moods and impressions , but we would ... refer to con- crete objects and events , it can refer only to evocation of the sub- jective kind I have mentioned , and ...
... refer to all kinds of evocation by music . Beethoven's music evokes definite moods and impressions , but we would ... refer to con- crete objects and events , it can refer only to evocation of the sub- jective kind I have mentioned , and ...
Pagina 204
... refer to any- thing verifiable in the usual scientific sense involving , e.g. , meas- urement . It refers to the kind of thing that people ( presupposing a certain degree of esthetic sensitivity and in many cases some training or ...
... refer to any- thing verifiable in the usual scientific sense involving , e.g. , meas- urement . It refers to the kind of thing that people ( presupposing a certain degree of esthetic sensitivity and in many cases some training or ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words