Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 30
... relation ( usually either of resemblance or causal connec- tion ) between the symbol and the thing symbolized . A photograph of the United States Capitol stands for the object of which it is a photograph , in a natural relation of ...
... relation ( usually either of resemblance or causal connec- tion ) between the symbol and the thing symbolized . A photograph of the United States Capitol stands for the object of which it is a photograph , in a natural relation of ...
Pagina 31
... relation between symbol and thing symbolized , but not enough to make the relation obvious without convention ; and in most cases another symbol could easily have been substituted . In these cases there is generally some convention or ...
... relation between symbol and thing symbolized , but not enough to make the relation obvious without convention ; and in most cases another symbol could easily have been substituted . In these cases there is generally some convention or ...
Pagina 32
... relationship . Again , a fever - curve is not a likeness of the in- crease and decrease of heat in the human body , but ... relation of the conventional sign to its term , which it denotes accord- ing to a purely arbitrary agreement ...
... relationship . Again , a fever - curve is not a likeness of the in- crease and decrease of heat in the human body , but ... relation of the conventional sign to its term , which it denotes accord- ing to a purely arbitrary agreement ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words