Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 48
... represents them ; we would be more likely to say that it expresses these moods ( the next chapter will be devoted to the concept of expression ) . A composition evoking joy , for example , would not ordinarily be said to represent that ...
... represents them ; we would be more likely to say that it expresses these moods ( the next chapter will be devoted to the concept of expression ) . A composition evoking joy , for example , would not ordinarily be said to represent that ...
Pagina 49
... represent " means merely " to evoke the impression of . " Indeed , I believe that this weak usage of " represent " and " symbolize " deprives these words of an important part of their usual meaning . For is it not central to the meaning ...
... represent " means merely " to evoke the impression of . " Indeed , I believe that this weak usage of " represent " and " symbolize " deprives these words of an important part of their usual meaning . For is it not central to the meaning ...
Pagina 50
... represent " in which " to represent " means merely " to evoke the impression of ( in one person or another ) . " This , we saw , is a sense so weak that it is seldom or never applied in the visual and literary arts where representation ...
... represent " in which " to represent " means merely " to evoke the impression of ( in one person or another ) . " This , we saw , is a sense so weak that it is seldom or never applied in the visual and literary arts where representation ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words