Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 21
... representational arts ( such as paint- ing ) in this sense of subject - matter , since painting can , at least ... representational and non - representational arts . It is important to notice here that some works of art have a subject ...
... representational arts ( such as paint- ing ) in this sense of subject - matter , since painting can , at least ... representational and non - representational arts . It is important to notice here that some works of art have a subject ...
Pagina 23
... representational content ? " To this I think we may certainly reply in the negative . And here at last we come upon the distinction between the representational and non - repre- sentational arts . The representational and non - ...
... representational content ? " To this I think we may certainly reply in the negative . And here at last we come upon the distinction between the representational and non - repre- sentational arts . The representational and non - ...
Pagina 51
... representational art while painting representational . Music , as we have seen , can evoke the impression of all sorts of things , but no object is in the music in the way that it is there on the canvas . In a somewhat less direct way ...
... representational art while painting representational . Music , as we have seen , can evoke the impression of all sorts of things , but no object is in the music in the way that it is there on the canvas . In a somewhat less direct way ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words