Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 23
... require us to say definitely that violins are represented or that they are not , just as common usage does not require us to decide whether certain borderline experiences are or are not esthetic . ) In discussing subject - matter thus ...
... require us to say definitely that violins are represented or that they are not , just as common usage does not require us to decide whether certain borderline experiences are or are not esthetic . ) In discussing subject - matter thus ...
Pagina 135
... require a volume to itself ; it would 96. Cf. the examples of outright contradiction in poetry which are used to heighten the poetic effect , in William Empson's Seven Types of Ambiguity ; also Karl Britton , Com munication , especially ...
... require a volume to itself ; it would 96. Cf. the examples of outright contradiction in poetry which are used to heighten the poetic effect , in William Empson's Seven Types of Ambiguity ; also Karl Britton , Com munication , especially ...
Pagina 147
... requires putting it there in some manner , in some style- which invariably affects the impression which is left by ... require no refutation . To which I would reply that ( 1 ) some , such as Zola , have preached it , even if they have ...
... requires putting it there in some manner , in some style- which invariably affects the impression which is left by ... require no refutation . To which I would reply that ( 1 ) some , such as Zola , have preached it , even if they have ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words