Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 63
... reveal . " This is most generally the case when we speak of an outer act or event revealing or expressing an inner ... reveal , a feeling which he has . If he does not have the feeling of joy , then his face cannot reveal or express it ...
... reveal . " This is most generally the case when we speak of an outer act or event revealing or expressing an inner ... reveal , a feeling which he has . If he does not have the feeling of joy , then his face cannot reveal or express it ...
Pagina 64
... reveal something that the composer felt . I confess I do not know how the truth of such a statement about Smetana could be definitely decided one way or the other , since even if all the facts of the composer's life were known and ...
... reveal something that the composer felt . I confess I do not know how the truth of such a statement about Smetana could be definitely decided one way or the other , since even if all the facts of the composer's life were known and ...
Pagina 65
... reveal anger although the person may not be angry at all , and he cannot reveal , at any given moment , an anger which he does not have . Hence our criterion for settling this issue is an objective fact : is he angry or not ? But in the ...
... reveal anger although the person may not be angry at all , and he cannot reveal , at any given moment , an anger which he does not have . Hence our criterion for settling this issue is an objective fact : is he angry or not ? But in the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
2 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words