Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 12
... sometimes a surface more esthetically rich and satisfying , even if sometimes less vivid and arrest- ing , than any mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than ...
... sometimes a surface more esthetically rich and satisfying , even if sometimes less vivid and arrest- ing , than any mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than ...
Pagina 21
... sometimes a subject - matter out- side the work ( which the artist may imitate more or less accurately -the more accurately , the more the historical object or event is subject - matter rather than material ) , while sometimes there is ...
... sometimes a subject - matter out- side the work ( which the artist may imitate more or less accurately -the more accurately , the more the historical object or event is subject - matter rather than material ) , while sometimes there is ...
Pagina 39
... sometimes it is peculiar to one poet or even to one of his works , as , for example , the system of images in Othello as contrasted with that of King Lear ( discussed in essays by Caroline Spurgeon and G. Wilson Knight ) . Sometimes the ...
... sometimes it is peculiar to one poet or even to one of his works , as , for example , the system of images in Othello as contrasted with that of King Lear ( discussed in essays by Caroline Spurgeon and G. Wilson Knight ) . Sometimes the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words