Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 14
... speak in this way : instead of saying that we have certain experiences which we may denomi- nate " form - experiences , " we say that a work of art itself contains certain form - values ; instead of saying that a given piece of music ...
... speak in this way : instead of saying that we have certain experiences which we may denomi- nate " form - experiences , " we say that a work of art itself contains certain form - values ; instead of saying that a given piece of music ...
Pagina 18
... speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself , for we speak of " the content of the poem " and would never take this to mean " the poem of the poem . " Form ...
... speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself , for we speak of " the content of the poem " and would never take this to mean " the poem of the poem . " Form ...
Pagina 163
... speak , " more true than life itself , " more revealing of human nature than any individual persons we have met . This is a very curious phe- nomenon , and we can do no better in investigating it than to be- gin with the famous dictum ...
... speak , " more true than life itself , " more revealing of human nature than any individual persons we have met . This is a very curious phe- nomenon , and we can do no better in investigating it than to be- gin with the famous dictum ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words