Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 29
... stand for ? What is it a symbol for ? We also ask the question , What does this work of art mean ? And we must ... stands for in the same way that the word " chair " refers to the kind of object that I am now sitting on ? And if there is ...
... stand for ? What is it a symbol for ? We also ask the question , What does this work of art mean ? And we must ... stands for in the same way that the word " chair " refers to the kind of object that I am now sitting on ? And if there is ...
Pagina 30
... stand for that . It is in this way that words are symbols . The crea- tures we know as cats could equally well have been referred to by other names , as indeed they are in other languages - for example , “ chat , ” “ felix , ” “ Katze ...
... stand for that . It is in this way that words are symbols . The crea- tures we know as cats could equally well have been referred to by other names , as indeed they are in other languages - for example , “ chat , ” “ felix , ” “ Katze ...
Pagina 33
... standing - for " ; but usages differ widely on this point . Carritt uses " symbol " to stand for " conven- tional symbol " only , ' while Bernheimer uses , for the three func- tions of the eagle just summarized , the terms ...
... standing - for " ; but usages differ widely on this point . Carritt uses " symbol " to stand for " conven- tional symbol " only , ' while Bernheimer uses , for the three func- tions of the eagle just summarized , the terms ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
2 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words