Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 145
... statements all of which are true . Litera- ture , of course , is the only art which makes statements at all , and literature would then be the only art to which the notion of truth would apply . Without inquiring at the moment what ...
... statements all of which are true . Litera- ture , of course , is the only art which makes statements at all , and literature would then be the only art to which the notion of truth would apply . Without inquiring at the moment what ...
Pagina 156
... statement just quoted ) , and ( 2 ) statements which science might discover to be true or false if it cared to go to the trouble , but probably never will , with the result that these statements will forever remain " literary truths ...
... statement just quoted ) , and ( 2 ) statements which science might discover to be true or false if it cared to go to the trouble , but probably never will , with the result that these statements will forever remain " literary truths ...
Pagina 231
... statements ? I find Sul- livan's assertions so loose , so demanding of explanation and eluci- dation , that it is difficult to know where to begin in commenting on them . Sullivan's qualification of his own statements , however , seems ...
... statements ? I find Sul- livan's assertions so loose , so demanding of explanation and eluci- dation , that it is difficult to know where to begin in commenting on them . Sullivan's qualification of his own statements , however , seems ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words