Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
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Pagina 17
John Hospers. the artist does with his subject - matter , and not the subject - matter itself , is what counts . " The expressed content of a picture is deter- mined not by subject - matter as such but by the way in which it is handled ...
John Hospers. the artist does with his subject - matter , and not the subject - matter itself , is what counts . " The expressed content of a picture is deter- mined not by subject - matter as such but by the way in which it is handled ...
Pagina 22
... subject- matter of the Odyssey is the adventures of Odysseus , or that the subject - matter of Manet's Olympia is a woman lying on her bed with a black cat . The subject - matter in this sense is certainly in the work of art itself ...
... subject- matter of the Odyssey is the adventures of Odysseus , or that the subject - matter of Manet's Olympia is a woman lying on her bed with a black cat . The subject - matter in this sense is certainly in the work of art itself ...
Pagina 23
John Hospers. subject - matter in this second sense , that is , subject - matter in the work ? Do they all have representational content ? " To this I think we may certainly reply in the negative . And here at last we come upon the ...
John Hospers. subject - matter in this second sense , that is , subject - matter in the work ? Do they all have representational content ? " To this I think we may certainly reply in the negative . And here at last we come upon the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words