Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 55
... theory be defended ? Nimbus clouds are natural symbols of rain ; they would not be such if rain did not actually follow the appearance of such clouds in some cause - and - effect relation . But would the defenders of the natural ...
... theory be defended ? Nimbus clouds are natural symbols of rain ; they would not be such if rain did not actually follow the appearance of such clouds in some cause - and - effect relation . But would the defenders of the natural ...
Pagina 89
... theory will , for example , describe one composition as more " pro- found ” than another , will describe one melody as " noble " and another as " sentimental . " Such judgments are incompatible with the isolation theory , for on that theory ...
... theory will , for example , describe one composition as more " pro- found ” than another , will describe one melody as " noble " and another as " sentimental . " Such judgments are incompatible with the isolation theory , for on that theory ...
Pagina 196
... theory of poetry ( in English , at any rate ) as a product of the imagination is that of Coleridge , which in turn stems from Kant in many of its aspects . In our own century the chief theory of poetry as imagination is probably that of ...
... theory of poetry ( in English , at any rate ) as a product of the imagination is that of Coleridge , which in turn stems from Kant in many of its aspects . In our own century the chief theory of poetry as imagination is probably that of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words