Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 179
... Things have been classified with a view to the use I can make of them . It is this classification I perceive rather than the real shape of things . I hardly see an object , but merely notice what class it belongs to - what ticket I ...
... Things have been classified with a view to the use I can make of them . It is this classification I perceive rather than the real shape of things . I hardly see an object , but merely notice what class it belongs to - what ticket I ...
Pagina 185
... things . This point is brought out in a very remarkable manner by Roger Fry : The needs of our actual life are so imperative , that the sense of vision becomes highly specialized in their service . With an admirable economy we learn to ...
... things . This point is brought out in a very remarkable manner by Roger Fry : The needs of our actual life are so imperative , that the sense of vision becomes highly specialized in their service . With an admirable economy we learn to ...
Pagina 225
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance , the thing in itself , the ultimate reality . And if a more or less unconscious ...
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance , the thing in itself , the ultimate reality . And if a more or less unconscious ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words