Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 39
... tion a particular symbol falls . ) As in the case of iconographic painting , it is impossible to appreciate fully a poem such as Milton's Lycidas without a fairly thorough acquaintance with the conven- tional and semi - conventional ...
... tion a particular symbol falls . ) As in the case of iconographic painting , it is impossible to appreciate fully a poem such as Milton's Lycidas without a fairly thorough acquaintance with the conven- tional and semi - conventional ...
Pagina 69
... tion , he says that the Saracenic monuments may have expression by virtue of such thoughts as they might suggest , although this expression - by - suggestion would not be esthetic expression , since the one term only suggests the other ...
... tion , he says that the Saracenic monuments may have expression by virtue of such thoughts as they might suggest , although this expression - by - suggestion would not be esthetic expression , since the one term only suggests the other ...
Pagina 161
... tion or propositions which are in each case implied ? How are we to discover what they are , and settle disagreements on the issue ? Here we run into the same difficulties as we have already men- tioned in criticizing Professor Greene's ...
... tion or propositions which are in each case implied ? How are we to discover what they are , and settle disagreements on the issue ? Here we run into the same difficulties as we have already men- tioned in criticizing Professor Greene's ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words