Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 159
... true or false . Similarly , definitions and resolutions about the use of words ( for example , " Three feet make a yard ” ) are not true or false and hence not propositions . We simply use the word " yard " in such a way that at each ...
... true or false . Similarly , definitions and resolutions about the use of words ( for example , " Three feet make a yard ” ) are not true or false and hence not propositions . We simply use the word " yard " in such a way that at each ...
Pagina 193
... true - to ? Presumably his own vision , his own interpretation , the way he sees things . But certainly this is not sufficient . For to say that an artist is true - to his own vision is to say no more or less than that he is sincere ...
... true - to ? Presumably his own vision , his own interpretation , the way he sees things . But certainly this is not sufficient . For to say that an artist is true - to his own vision is to say no more or less than that he is sincere ...
Pagina 203
... true - to experience . Whether the poet has given us knowledge about the world is , as Professor James says ... true " in experience , and saying that it is imaginatively true ; they seem to come to the same thing.61 The same holds true ...
... true - to experience . Whether the poet has given us knowledge about the world is , as Professor James says ... true " in experience , and saying that it is imaginatively true ; they seem to come to the same thing.61 The same holds true ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words