Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 163
... universal truth , history about particular . In what manner , for example , any person of a certain char- acter would speak or act , probably or necessarily — this is universal ; and this is the object of poetry . But what Alcibiades ...
... universal truth , history about particular . In what manner , for example , any person of a certain char- acter would speak or act , probably or necessarily — this is universal ; and this is the object of poetry . But what Alcibiades ...
Pagina 167
... universal . This does not mean that the characters must be types . A " type " character is one which possesses only the least common denomina- tor of the characteristics of a certain class of individuals ; no " pure type " exists , and ...
... universal . This does not mean that the characters must be types . A " type " character is one which possesses only the least common denomina- tor of the characteristics of a certain class of individuals ; no " pure type " exists , and ...
Pagina 168
... universal " ; he acts and speaks as a man of such a character and his situation necessarily or probably would . The truthful historian of Denmark could hardly have achieved this " universality " or consistently imaginable character ...
... universal " ; he acts and speaks as a man of such a character and his situation necessarily or probably would . The truthful historian of Denmark could hardly have achieved this " universality " or consistently imaginable character ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words