Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 108
... whole ; and it is as a whole , as an organization of forms , that a work of art provokes the most tremendous emotions . " - ( Clive Bell , Art , pp . 225-26 . ) 56. Bernhard Berenson defines illustrational painting as follows ...
... whole ; and it is as a whole , as an organization of forms , that a work of art provokes the most tremendous emotions . " - ( Clive Bell , Art , pp . 225-26 . ) 56. Bernhard Berenson defines illustrational painting as follows ...
Pagina 176
... whole woodsful of these abstract trees he calls it " some branchy bunchy bushybowered wood , " because he wants to feel as though it were here . Even indeed when there are no trees in question , and no " thing " in question at all ...
... whole woodsful of these abstract trees he calls it " some branchy bunchy bushybowered wood , " because he wants to feel as though it were here . Even indeed when there are no trees in question , and no " thing " in question at all ...
Pagina 210
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
TRUTH IN THE ARTS | 60 |
THE ARTISTIC RELEVANCE OF TRUTH | 208 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect El Greco essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odysseus painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words