Aesthetic as Science of Expression and General Linguistic |
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Pagina iii
Co- Clott & AES THE TIC AS SCIENCE OF EXPRESSION AND GENERAL
LINGUISTIC TRANSLATED FROM THE ITALIAN OF BENEDETTO CRoCE BY
DOUGLAS AINSLIE B.A. (Oxon.) SECOAVD ED/7”/OAV MACMILLAN AND CO., ...
Co- Clott & AES THE TIC AS SCIENCE OF EXPRESSION AND GENERAL
LINGUISTIC TRANSLATED FROM THE ITALIAN OF BENEDETTO CRoCE BY
DOUGLAS AINSLIE B.A. (Oxon.) SECOAVD ED/7”/OAV MACMILLAN AND CO., ...
Pagina xi
128 XVIII CONCLUSION : IDENTITY OF LINGUISTIC AND AESTHETIC Summary
of the study—Identity of Linguistic with AEsthetic—AEsthetic formulation of
linguistic problems—Nature of language—Origin pace of language and its ...
128 XVIII CONCLUSION : IDENTITY OF LINGUISTIC AND AESTHETIC Summary
of the study—Identity of Linguistic with AEsthetic—AEsthetic formulation of
linguistic problems—Nature of language—Origin pace of language and its ...
Pagina xii
... and Logic—Grammatical kinds or parts of speech—The individuality of speech
and the classification of languages—Impossibility of a normative Grammar—
Didactic organisms—Elementary linguistic facts, or roots—AEsthetic judgement
and ...
... and Logic—Grammatical kinds or parts of speech—The individuality of speech
and the classification of languages—Impossibility of a normative Grammar—
Didactic organisms—Elementary linguistic facts, or roots—AEsthetic judgement
and ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity aesthetic already appearance artistic Asth attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical material matter means method moral nature never object observations origin painting particular perfection philosophy physical pleasure poet Poetics poetry possess possible practical present principle problem produced progress pure question reality reason recognize relation remain represent representation Rhetoric scientific sense side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers