Aesthetic as Science of Expression and General Linguistic |
Dall'interno del libro
Risultati 1-5 di 49
Pagina vii
... of intuition and expression II INTUITION AND ART Corollaries and
explanations—Identity of art and intuitive knowledge— No specific difference—
No difference of intensity—The difference is extensive and empirical—Artistic
genius–Content ...
... of intuition and expression II INTUITION AND ART Corollaries and
explanations—Identity of art and intuitive knowledge— No specific difference—
No difference of intensity—The difference is extensive and empirical—Artistic
genius–Content ...
Pagina ix
55 VIII EXCLUSION OF OTHER SPIRitu AL FORMS The system of the spirit—The
forms of genius—Non-existence of a fifth form of activity— Law; sociability—
Religion—Metaphysic— Mental imagination and the intuitive intellect—Mystical ...
55 VIII EXCLUSION OF OTHER SPIRitu AL FORMS The system of the spirit—The
forms of genius—Non-existence of a fifth form of activity— Law; sociability—
Religion—Metaphysic— Mental imagination and the intuitive intellect—Mystical ...
Pagina xi
... reproduction — Impossibility of divergences—Identity of taste and genius—
Analogy with other activities—Criticism of aesthetic absolutism (intellectualism)
and relativism—Criticism of relative relativism—Objection founded on the
variation of ...
... reproduction — Impossibility of divergences—Identity of taste and genius—
Analogy with other activities—Criticism of aesthetic absolutism (intellectualism)
and relativism—Criticism of relative relativism—Objection founded on the
variation of ...
Pagina xviii
... of kinds of style—The theory of grammatical forms or parts of speech—Theory
of aesthetic criticism—Distinction between taste and genius–Concept of artistic
and literary history—Conclusion 459 BIBLIOGRAPHICAL APPENDIX - - - - - .
... of kinds of style—The theory of grammatical forms or parts of speech—Theory
of aesthetic criticism—Distinction between taste and genius–Concept of artistic
and literary history—Conclusion 459 BIBLIOGRAPHICAL APPENDIX - - - - - .
Pagina xxii
... the word AEsthetic occurs for the first time ; and Schleiermacher for the tributes
paid to his neglected genius in the History of AEsthetic. La Critica, too, is full of
generous appreciation of contemporaries by Croce and by that profound thinker,
...
... the word AEsthetic occurs for the first time ; and Schleiermacher for the tributes
paid to his neglected genius in the History of AEsthetic. La Critica, too, is full of
generous appreciation of contemporaries by Croce and by that profound thinker,
...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity aesthetic already appearance artistic Asth attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical material matter means method moral nature never object observations origin painting particular perfection philosophy physical pleasure poet Poetics poetry possess possible practical present principle problem produced progress pure question reality reason recognize relation remain represent representation Rhetoric scientific sense side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic UNESCO collection of representative works: Italian series |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2, riveduta |
| Editore | Macmillan, 1922 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |