Aesthetic as Science of Expression and General Linguistic |
Dall'interno del libro
Risultati 1-5 di 66
Pagina xi
... judgement—The method of artistic and literary history —Criticism of the
problem of the origin of art—The criterion of progress and history—Non-existence
of a single line of progress in artistic and literary history—Errors committed
against this ...
... judgement—The method of artistic and literary history —Criticism of the
problem of the origin of art—The criterion of progress and history—Non-existence
of a single line of progress in artistic and literary history—Errors committed
against this ...
Pagina xvi
... and his lectures—AEsthesigraphy - - - - - - . 370 XVII AESTHETIC POSITIVISM
AND NATURALISM Positivism and evolutionism—AEsthetic of H. Spencer—
Physiologists of AEsthetic: Grant Allen, Helmholtz and others—Method of the
natural ...
... and his lectures—AEsthesigraphy - - - - - - . 370 XVII AESTHETIC POSITIVISM
AND NATURALISM Positivism and evolutionism—AEsthetic of H. Spencer—
Physiologists of AEsthetic: Grant Allen, Helmholtz and others—Method of the
natural ...
Pagina xix
... which gives to the work of art its value, not this or that method of arrangement,
this or that tint or cadence, which can always be copied by skilful plagiarists: not
so the spirit of the creator. In England we X1X ExTRACT FROM INTRODUCTION.
... which gives to the work of art its value, not this or that method of arrangement,
this or that tint or cadence, which can always be copied by skilful plagiarists: not
so the spirit of the creator. In England we X1X ExTRACT FROM INTRODUCTION.
Pagina xx
... thoroughness it is which gives such importance to the literary and
philosophical criticisms of La Critica. Croce's method is always historical, and his
object in approaching any work of art is to classify the spirit of its author, as
expressed in that ...
... thoroughness it is which gives such importance to the literary and
philosophical criticisms of La Critica. Croce's method is always historical, and his
object in approaching any work of art is to classify the spirit of its author, as
expressed in that ...
Pagina 8
And yet there is a sure method of distinguishing true intuition, true representation,
from that which is inferior to it : the spiritual fact from the mechanical, passive,
natural fact. Every true intuition or representation is also expression. That which ...
And yet there is a sure method of distinguishing true intuition, true representation,
from that which is inferior to it : the spiritual fact from the mechanical, passive,
natural fact. Every true intuition or representation is also expression. That which ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
| 220 | |
| 234 | |
| 246 | |
| 257 | |
| 272 | |
| 283 | |
| 304 | |
| 312 | |
| 67 | |
| 74 | |
| 82 | |
| 88 | |
| 94 | |
| 104 | |
| 111 | |
| 117 | |
| 118 | |
| 126 | |
| 140 | |
| 155 | |
| 170 | |
| 180 | |
| 189 | |
| 324 | |
| 334 | |
| 350 | |
| 356 | |
| 370 | |
| 388 | |
| 404 | |
| 418 | |
| 424 | |
| 436 | |
| 442 | |
| 455 | |
| 470 | |
| 493 | |
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity aesthetic already appearance artistic Asth attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical material matter means method moral nature never object observations origin painting particular perfection philosophy physical pleasure poet Poetics poetry possess possible practical present principle problem produced progress pure question reality reason recognize relation remain represent representation Rhetoric scientific sense side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic UNESCO collection of representative works: Italian series |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2, riveduta |
| Editore | Macmillan, 1922 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |