Aesthetic as Science of Expression and General Linguistic |
Dall'interno del libro
Risultati 1-5 di 99
Pagina xiv
... mysticism in the opponents of idealism—A. Schopenhauer— Ideas as the
object of art—AEsthetic catharsis—Signs of a better PAGe 257 272 283 pace
theory in Schopenhauer—J. F. Herbart—Pure Beauty and relations of xiv
AESTHETIC.
... mysticism in the opponents of idealism—A. Schopenhauer— Ideas as the
object of art—AEsthetic catharsis—Signs of a better PAGe 257 272 283 pace
theory in Schopenhauer—J. F. Herbart—Pure Beauty and relations of xiv
AESTHETIC.
Pagina 3
Certainly perception is intuition : the perceptions of the room in which I am writing
, of the ink-bottle and paper that are before me, of the pen I am using, of the
objects that I touch and make use of as instruments of my person, which, if it write,
...
Certainly perception is intuition : the perceptions of the room in which I am writing
, of the ink-bottle and paper that are before me, of the pen I am using, of the
objects that I touch and make use of as instruments of my person, which, if it write,
...
Pagina 17
objects, in the presence of which is renewed the same tumult of impressions as
that caused by natural objects, “... then the proposition is evidently false. The
coloured waxen effigies that imitate the life, before which we < 2. stand
astonished in ...
objects, in the presence of which is renewed the same tumult of impressions as
that caused by natural objects, “... then the proposition is evidently false. The
coloured waxen effigies that imitate the life, before which we < 2. stand
astonished in ...
Pagina 20
Expression is a synthesis of the various, or multiple, in the one. ****The fact that
we divide a work of art into parts, a poem into scenes, episodes, similes,
sentences, or a picture into single figures and objects, background, foreground, ...
etc., ...
Expression is a synthesis of the various, or multiple, in the one. ****The fact that
we divide a work of art into parts, a poem into scenes, episodes, similes,
sentences, or a picture into single figures and objects, background, foreground, ...
etc., ...
Pagina 21
The two characters are compatible, for they do not refer to ~ the same object. The
sensibility or passion relates to the rich material which the artist absorbs into his
psychic organism ; the insensibility or serenity to the form with which he subdues
...
The two characters are compatible, for they do not refer to ~ the same object. The
sensibility or passion relates to the rich material which the artist absorbs into his
psychic organism ; the insensibility or serenity to the form with which he subdues
...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
| 220 | |
| 234 | |
| 246 | |
| 257 | |
| 272 | |
| 283 | |
| 304 | |
| 312 | |
| 67 | |
| 74 | |
| 82 | |
| 88 | |
| 94 | |
| 104 | |
| 111 | |
| 117 | |
| 118 | |
| 126 | |
| 140 | |
| 155 | |
| 170 | |
| 180 | |
| 189 | |
| 324 | |
| 334 | |
| 350 | |
| 356 | |
| 370 | |
| 388 | |
| 404 | |
| 418 | |
| 424 | |
| 436 | |
| 442 | |
| 455 | |
| 470 | |
| 493 | |
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity aesthetic already appearance artistic Asth attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical material matter means method moral nature never object observations origin painting particular perfection philosophy physical pleasure poet Poetics poetry possess possible practical present principle problem produced progress pure question reality reason recognize relation remain represent representation Rhetoric scientific sense side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic UNESCO collection of representative works: Italian series |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2, riveduta |
| Editore | Macmillan, 1922 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |