Aesthetic as Science of Expression and General Linguistic |
Dall'interno del libro
Risultati 1-5 di 100
Pagina vii
... with respect to intellectual knowledge—Intuition and perception—Intuition and
the concepts of space and time—Intuition and sensation—Intuition and
association —Intuition and representation—Intuition and expression—Illusion as
to their ...
... with respect to intellectual knowledge—Intuition and perception—Intuition and
the concepts of space and time—Intuition and sensation—Intuition and
association —Intuition and representation—Intuition and expression—Illusion as
to their ...
Pagina x
... and expression in the naturalistic sense—Representations and memory—The
production of aids to memory—Physical beauty—Content and form : another
meaning—Natural beauty and artificial beauty—Mixed beauty—Writings—Free
and ...
... and expression in the naturalistic sense—Representations and memory—The
production of aids to memory—Physical beauty—Content and form : another
meaning—Natural beauty and artificial beauty—Mixed beauty—Writings—Free
and ...
Pagina 2
The philosophical maxims placed in the mouth of a personage of tragedy or of
comedy, perform there the function, not of concepts, but of characteristics of such
personage ; in the same way as the red in a painted face does not there
represent ...
The philosophical maxims placed in the mouth of a personage of tragedy or of
comedy, perform there the function, not of concepts, but of characteristics of such
personage ; in the same way as the red in a painted face does not there
represent ...
Pagina 7
What is the difference between their representation or image and our intuitive
knowledge 2 Everything and nothing : for “representation” is a very equivocal
word. s If by representation be understood something cut off and standing out
from the ...
What is the difference between their representation or image and our intuitive
knowledge 2 Everything and nothing : for “representation” is a very equivocal
word. s If by representation be understood something cut off and standing out
from the ...
Pagina 8
Nor is the ambiguity remedied by defining representation as a psychic product of
secondary degree in relation to sensation, defined as occupying the first place.
What does secondary degree mean here 2 Does it mean a qualitative, formal ...
Nor is the ambiguity remedied by defining representation as a psychic product of
secondary degree in relation to sensation, defined as occupying the first place.
What does secondary degree mean here 2 Does it mean a qualitative, formal ...
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Sommario
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Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity aesthetic already appearance artistic Asth attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical material matter means method moral nature never object observations origin painting particular perfection philosophy physical pleasure poet Poetics poetry possess possible practical present principle problem produced progress pure question reality reason recognize relation remain represent representation Rhetoric scientific sense side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic UNESCO collection of representative works: Italian series |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2, riveduta |
| Editore | Macmillan, 1922 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |