A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 21
... A. C. Bradley , Oxford Lectures on Poetry ( Macmillan , London , 1923 ) , pp . 18-19 . 6. See Charles Taylor , Hegel ( Cambridge University Press , Cambridge , England , 1975 ) , Chapter 1 , " Aims of a New Epoch . " 7. R. L. Nettleship ...
... A. C. Bradley , Oxford Lectures on Poetry ( Macmillan , London , 1923 ) , pp . 18-19 . 6. See Charles Taylor , Hegel ( Cambridge University Press , Cambridge , England , 1975 ) , Chapter 1 , " Aims of a New Epoch . " 7. R. L. Nettleship ...
Pagina 436
... A. C. Bradley , in piecemeal versions of it in literary criticism , or in my own generalized adaptation of it in my Philosophy of the Arts , what is claimed is that anything which is a work of art is in its nature a unique complex of ...
... A. C. Bradley , in piecemeal versions of it in literary criticism , or in my own generalized adaptation of it in my Philosophy of the Arts , what is claimed is that anything which is a work of art is in its nature a unique complex of ...
Pagina 538
... Bradley , A. C. " Poetry for Poetry's Sake . " In A. C. Bradley , Oxford Lectures on Poetry . London : Macmillan , 1950 . Brion , Marcel . " Abstract Art . " Diogenes 24 ( 1958 ) . Bywater , William G. Clive Bell's Eye . Detroit : 538 ...
... Bradley , A. C. " Poetry for Poetry's Sake . " In A. C. Bradley , Oxford Lectures on Poetry . London : Macmillan , 1950 . Brion , Marcel . " Abstract Art . " Diogenes 24 ( 1958 ) . Bywater , William G. Clive Bell's Eye . Detroit : 538 ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York