A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 1
... Aristotle , for example , favors imitation in the sense of nonexpressive copying . Plato refers to the painters and poets that he condemns as imitators of superficial appearances ; and in many passages , he recognizes the existence of ...
... Aristotle , for example , favors imitation in the sense of nonexpressive copying . Plato refers to the painters and poets that he condemns as imitators of superficial appearances ; and in many passages , he recognizes the existence of ...
Pagina 2
... Aristotle contends that music is , in a sense , the most imitative of the arts . " Melodies have the power of representing character in themselves , " he declares . " There seems to be a sort of kinship of harmonies and rhythms to our ...
... Aristotle contends that music is , in a sense , the most imitative of the arts . " Melodies have the power of representing character in themselves , " he declares . " There seems to be a sort of kinship of harmonies and rhythms to our ...
Pagina 417
... Aristotle speaks , in a most suggestive phrase , of the " weakness of the spectators , ' which shrinks from the essence of tragedy . In other words , the capacity to endure and enjoy feeling at high tension is somewhat rare . The ...
... Aristotle speaks , in a most suggestive phrase , of the " weakness of the spectators , ' which shrinks from the essence of tragedy . In other words , the capacity to endure and enjoy feeling at high tension is somewhat rare . The ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York