A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 72
... Benedetto Croce ( 1866-1952 ) , the most famous Italian philosopher of this century , has been a very influential proponent of the intuitional interpretation of art . Clinging to idealism , the view that reality consists of minds and ...
... Benedetto Croce ( 1866-1952 ) , the most famous Italian philosopher of this century , has been a very influential proponent of the intuitional interpretation of art . Clinging to idealism , the view that reality consists of minds and ...
Pagina 73
... Croce declares , " but for a dream of his own , for nothing but the expression of a world desired or abhorred , or ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) , pp . 33-34 . 3. Ibid . , p . 268 ...
... Croce declares , " but for a dream of his own , for nothing but the expression of a world desired or abhorred , or ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) , pp . 33-34 . 3. Ibid . , p . 268 ...
Pagina 529
... Benedetto Croce's Earlier Aesthetic Theories and Literary Criticism . Kampen , Netherlands : Kok , 1958 . Sircello , Guy . " Perceptual Acts and the Pictorial Arts : A Defense of Expression Theory . " J. Phil . 62 ( 1965 ) . Mind and ...
... Benedetto Croce's Earlier Aesthetic Theories and Literary Criticism . Kampen , Netherlands : Kok , 1958 . Sircello , Guy . " Perceptual Acts and the Pictorial Arts : A Defense of Expression Theory . " J. Phil . 62 ( 1965 ) . Mind and ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York