A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 192
... Bernard Bosanquet ( 1848–1923 ) , a distinguished British philosopher . Art , he maintains , evokes an integrated response of the whole " body - and - mind . ” He calls this response " feeling , " and the feeling , he says , is always ...
... Bernard Bosanquet ( 1848–1923 ) , a distinguished British philosopher . Art , he maintains , evokes an integrated response of the whole " body - and - mind . ” He calls this response " feeling , " and the feeling , he says , is always ...
Pagina 194
... Bernard Bosanquet , Three Lecturers on Aesthetic ( Macmillan , London , 1915 ) , pp . 3 , 5 . 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings 194 The Matter of the Arts.
... Bernard Bosanquet , Three Lecturers on Aesthetic ( Macmillan , London , 1915 ) , pp . 3 , 5 . 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings 194 The Matter of the Arts.
Pagina 195
An Anthology Melvin Miller Rader. 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919-1920 ) , p . 272 . 3 ... Bernard Bosanquet 195 Bernard Bosanquet: The Esthetic Attitude in Its Embodiments.
An Anthology Melvin Miller Rader. 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919-1920 ) , p . 272 . 3 ... Bernard Bosanquet 195 Bernard Bosanquet: The Esthetic Attitude in Its Embodiments.
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York