A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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... Bell for British Empire rights to reprint from Art by Clive Bell . The Clarendon Press , Oxford , for permission to reprint from On the Aesthetic Education of Man in a Series of Letters , by Friedrich Schiller , translated by Elizabeth ...
... Bell for British Empire rights to reprint from Art by Clive Bell . The Clarendon Press , Oxford , for permission to reprint from On the Aesthetic Education of Man in a Series of Letters , by Friedrich Schiller , translated by Elizabeth ...
Pagina 283
... Clive Bell ( 1881-1964 ) . Their ideas were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosopher G. E. Moore , the economist John Maynard Keynes , and the novelist Virginia Woolf . A ...
... Clive Bell ( 1881-1964 ) . Their ideas were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosopher G. E. Moore , the economist John Maynard Keynes , and the novelist Virginia Woolf . A ...
Pagina 457
... Clive Bell's doctrine of " significant form , " nor would it presumably be true of G. E. Moore's view of beauty , since both Bell and Moore hold that beauty depends upon the specific nature of other qualities which characterize that ...
... Clive Bell's doctrine of " significant form , " nor would it presumably be true of G. E. Moore's view of beauty , since both Bell and Moore hold that beauty depends upon the specific nature of other qualities which characterize that ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York