A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 91
... Dionysian duality - just as procreation depends on the duality of the sexes , involving perpetual strife with only periodically intervening recon- ciliations . The terms Dionysian and Apollinian we borrow from the Greeks , who disclose ...
... Dionysian duality - just as procreation depends on the duality of the sexes , involving perpetual strife with only periodically intervening recon- ciliations . The terms Dionysian and Apollinian we borrow from the Greeks , who disclose ...
Pagina 95
... Dionysian Greek from the Dionysian barbarian . From all quarters of the ancient world — to say nothing here of the modern - from Rome to Babylon , we can point to the existence of Dionysian festivals , types which bear , at best , the ...
... Dionysian Greek from the Dionysian barbarian . From all quarters of the ancient world — to say nothing here of the modern - from Rome to Babylon , we can point to the existence of Dionysian festivals , types which bear , at best , the ...
Pagina 100
... Dionysian also seemed " titanic " and “ bar- baric " to the Apollinian Greek ; while at the same time he could not con- ceal from himself that he , too , was inwardly related to these overthrown Titans and heroes . Indeed , he had to ...
... Dionysian also seemed " titanic " and “ bar- baric " to the Apollinian Greek ; while at the same time he could not con- ceal from himself that he , too , was inwardly related to these overthrown Titans and heroes . Indeed , he had to ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York