A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 352
... Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive explanations for varieties of esthetic experience , since loss of Distance , whether ...
... Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive explanations for varieties of esthetic experience , since loss of Distance , whether ...
Pagina 353
... distance the subject matter sufficiently to rise above its practical problematic import and to regard it simply as a dramatically and humanly interesting situation . The variability of Distance in respect to Art , disregarding for the ...
... distance the subject matter sufficiently to rise above its practical problematic import and to regard it simply as a dramatically and humanly interesting situation . The variability of Distance in respect to Art , disregarding for the ...
Pagina 354
... Distance - limit altogether . “ Idealistic Art " suffers consequently under the peculiar difficulty that its excess of Distance turns generally into an under - distanced appeal - all the more easily , as it is the usual failing of the ...
... Distance - limit altogether . “ Idealistic Art " suffers consequently under the peculiar difficulty that its excess of Distance turns generally into an under - distanced appeal - all the more easily , as it is the usual failing of the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York