A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina
... G. E. M. Anscombe for permission to reprint from Philosophical Investigations by Ludwig Wittgenstein , 1953 . Bell ... Elizabeth M. Wilkin- son and L. A. Willoughby , 1967 , Letter 27 . Constable & Company , Ltd. , for British Empire ...
... G. E. M. Anscombe for permission to reprint from Philosophical Investigations by Ludwig Wittgenstein , 1953 . Bell ... Elizabeth M. Wilkin- son and L. A. Willoughby , 1967 , Letter 27 . Constable & Company , Ltd. , for British Empire ...
Pagina 335
... G. E. M. Anscombe ( Basil Blackwell and Macmillan , Oxford and New York , 1953 ) , p . 208 . 4. See especially Norwood Russell Hanson , " Seeing and Seeing As , " Perception and Discovery ( Freeman , Cooper , San Francisco , 1970 ) ...
... G. E. M. Anscombe ( Basil Blackwell and Macmillan , Oxford and New York , 1953 ) , p . 208 . 4. See especially Norwood Russell Hanson , " Seeing and Seeing As , " Perception and Discovery ( Freeman , Cooper , San Francisco , 1970 ) ...
Pagina 455
... G. E. M. Anscombe ( New York , Macmillan , 1953 ) , pp . 31-36 . A parallel passage is to be found in " The Blue Book " ; see Preliminary Studies for the " Philosophical Investi- gations , " Generally Known as The Blue and Brown Books ...
... G. E. M. Anscombe ( New York , Macmillan , 1953 ) , pp . 31-36 . A parallel passage is to be found in " The Blue Book " ; see Preliminary Studies for the " Philosophical Investi- gations , " Generally Known as The Blue and Brown Books ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York