A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 95
... Greek - in a deeper sense than that in which modern man , speaking of his dreams , ventures to compare himself with Shakespeare . On the other hand , we need not conjecture regarding the immense gap which separates the Dionysian Greek ...
... Greek - in a deeper sense than that in which modern man , speaking of his dreams , ventures to compare himself with Shakespeare . On the other hand , we need not conjecture regarding the immense gap which separates the Dionysian Greek ...
Pagina 286
... Greek architecture , gives this advice : The fundamental laws of building found at the basis of every style of ... Greek principles , not Greek things . . . . The men who have reduced locomo- tion to its simplest elements , in the ...
... Greek architecture , gives this advice : The fundamental laws of building found at the basis of every style of ... Greek principles , not Greek things . . . . The men who have reduced locomo- tion to its simplest elements , in the ...
Pagina 484
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York