A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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... Morris Weitz for permission to reprint " The Role of Theory in Aesthetics " by Morris Weitz , The Journal of Aesthetics and Art Criticism , Vol . 15 ( 1956 ) . Art Education and The Journal of Aesthetic Education for permission to ...
... Morris Weitz for permission to reprint " The Role of Theory in Aesthetics " by Morris Weitz , The Journal of Aesthetics and Art Criticism , Vol . 15 ( 1956 ) . Art Education and The Journal of Aesthetic Education for permission to ...
Pagina 434
... MORRIS WEITZ The Role of Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of ... Morris Weitz: The Role of Theory in Esthetics.
... MORRIS WEITZ The Role of Theory in Esthetics Theory has been central in esthetics and still the preoccupation of the philosophy of art . Its main avowed concern remains the determination of ... Morris Weitz: The Role of Theory in Esthetics.
Pagina 444
... Morris Weitz , for example , has placed it in the forefront of his discussion . However , in that influential and frequently anthologized article , Professor Weitz made no attempt to analyze , clarify , or defend the doctrine itself ...
... Morris Weitz , for example , has placed it in the forefront of his discussion . However , in that influential and frequently anthologized article , Professor Weitz made no attempt to analyze , clarify , or defend the doctrine itself ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York