A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 73
... R. G. Collingwood ( 1889-1943 ) , professor at Oxford University . Because space is limited and Croce is the more original thinker , I have omitted a selection from Collingwood , but I recommend his Principles of Art to anyone who ...
... R. G. Collingwood ( 1889-1943 ) , professor at Oxford University . Because space is limited and Croce is the more original thinker , I have omitted a selection from Collingwood , but I recommend his Principles of Art to anyone who ...
Pagina 188
... R. G. Collingwood , The Principles of Art ( Oxford : Oxford University Press , 1938 ) , p . 24 . 10. Susanne K. Langer , “ The Principles of Creation in Art , " Hudson Review , Vol . 2 ( 1949-1950 ) , p . 521 . PART II The Work of Art ...
... R. G. Collingwood , The Principles of Art ( Oxford : Oxford University Press , 1938 ) , p . 24 . 10. Susanne K. Langer , “ The Principles of Creation in Art , " Hudson Review , Vol . 2 ( 1949-1950 ) , p . 521 . PART II The Work of Art ...
Pagina 528
... Collingwood , R. G. The Principles of Art . Oxford : Clarendon , 1938 . Essays in the Philosophy of Art . Bloomington , Ind .: University of Indiana . Press , 1964 . Croce , Benedetto . The Essence of Aesthetics . London : Heinemann ...
... Collingwood , R. G. The Principles of Art . Oxford : Clarendon , 1938 . Essays in the Philosophy of Art . Bloomington , Ind .: University of Indiana . Press , 1964 . Croce , Benedetto . The Essence of Aesthetics . London : Heinemann ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York