A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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... Rudolf Arnheim for permission to reprint " Gestalt Psychology and Artistic Form " by Rudolf Arnheim in Aspects of Form , edited by Lancelot Law Whyte . Copyright 1951 by Percy Lund Humphries and Company , Ltd. International Publishers ...
... Rudolf Arnheim for permission to reprint " Gestalt Psychology and Artistic Form " by Rudolf Arnheim in Aspects of Form , edited by Lancelot Law Whyte . Copyright 1951 by Percy Lund Humphries and Company , Ltd. International Publishers ...
Pagina 233
... Arnheim opposes this theory of expression , which is represented in the present volume by Santayana's account , and ... Rudolf Arnheim , " The Priority of Expression , " Journal of Aesthetics and Art Criticism , Vol . 7 ( 1949 ) , p ...
... Arnheim opposes this theory of expression , which is represented in the present volume by Santayana's account , and ... Rudolf Arnheim , " The Priority of Expression , " Journal of Aesthetics and Art Criticism , Vol . 7 ( 1949 ) , p ...
Pagina 262
... RUDOLF ARNHEIM The Expressiveness of Visual Forms 1. EXPRESSION Every work of art must express something . This means , first of all , that the content of the work must go beyond the ... Rudolf Arnheim: The Expressiveness of Visual Forms.
... RUDOLF ARNHEIM The Expressiveness of Visual Forms 1. EXPRESSION Every work of art must express something . This means , first of all , that the content of the work must go beyond the ... Rudolf Arnheim: The Expressiveness of Visual Forms.
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York